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• A critical discussion of Sam Barlow’s Her Story
• Why do gamers feel threatened by new, non-violent genres?
• Would Her Story work as well without its story’s central conceit?
• The novelty of letting the player decide when the game is over
• Tagging, note-taking, and search methodologies
• Unique thought processes yield unique experiences
• Does the ending have a structural problem, or do we?
• Do we want more games like this?